In their efforts to apportion blame and channel retaliatory action in the post September 11 world, scholars and pundits alike have used a series of rhetorical techniques to great effect, manufacturing an image of Islam, the proverbial Other, that is highly conducive to the needs of liberal democracies but hardly a reflection of any one of the many 'authentic' Islams. This has largely been achieved by ignoring the many differences within the Islamic movement and asserting that social identities are based (...) on a stable, uniform kernel that moves unchanged throughout history and across the globe. This inevitably results in caricatures that have many uses; in portraits of dissenting groups it tends towards demonization. In this wide-ranging essay--which considers a variety of discursive sites, from contemporary film and art to the War on Terror--a scholar of religion asks the reader to consider how the classifications we use to name and thereby negotiate our social worlds--foremost among them the classification religion itself--are implicitly political and are being wielded in the public arena to carry out generally undisclosed/under analyzed social work. (shrink)

Controversies over how to define the word religion have persisted for decades. It is a term of art and of academic study, but also one of governance, technologies, and of networks; it is a concept whose diversity is often its own worst enemy. Religion is as much a fuzzy set of conceptualizations and generalizations about a range of human activities as it is an authorizing system of persons, ideas, and practices. What is Religion?: Debating the Academic Study of Religion invites (...) readers to eavesdrop on scholarly debates over the limits of, and uses for, a word commonly used but infrequently defined in a precise manner. This volume takes the temperature of the modern field of Religious Studies by inviting a diverse group of scholars to offer their own substantive contribution that builds on the shared opening prompt, Religion is.... Their essays document the current state of the field and its various sub-fields, assess the progress that has been made over the past generation, and propose new directions for future work. Seventeen of the international field's leading scholars show how they work with each other's definition, or, sometimes, the lack of a definition. Of interest to students, scholars, and general readers alike, What is Religion? will provoke debate and provide insights into the state of the field. (shrink)

Fabricating Origins builds on a series of posts that originally appeared, in earlier forms, on the blog "Culture on the Edge." In these posts each member of the group focused on the problem of origins, examining how we repeatedly conjure up an authorized past that suits the needs of the continually changing present. Fabricating Origins presses these short studies further by inviting ten early career scholars to each work with "Culture on the Edge" by applying, extending, even critiquing the group, (...) to further illustrate for readers how talk of origins in the present is so much more interesting than being preoccupied with long past origins themselves. The volume, like all books in the Working with Culture on the Edge series, is introduced and concluded by original, theoretically challenging but engaging essays. It provides a selection of ten main articles which draw on a variety of examples to make the case, followed by original commentaries on each, all of which are pithy but substantive. Although not a textbook, and while challenging for any reader unaccustomed to making the switch from origins to the discourse on origins, Fabricating Origins is especially aimed at the early career reader. The volume therefore includes an annotated set of suggested readings on how to rethink origins as the product of contemporary and always tactically useful talk and action. (shrink)

COMPARING LAW COMPARING RELIGION -- THE SCIENTIFIC STUDY OF RELIGION AND ITS CULTURED DESPISERS -- INTRODUCING RELIGION -- Index of Authors.